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Friday, 25 April 2014

Production Concept: Set Design

After the Final versions of the Logo and Puppet designs completed it was then onto completing the set design.

Stage One – The Sketch


From our research into similar Children’s Television Programmes,  we decided that our set needed to be bold and make an impression.  Set in a Charity Shop, we loved the idea of clutter, different things from different places being in view all over the shop. After discussions with our set designer, we spoke about the overall look of the set, what items would look good and stand out and the positioning of furniture for puppeteering purposes. This is the sketch of the set which we believe suited the show perfectly.


Stage Two – The Colouring Process

Once we were happy with the look, the sketch was sent to our colourist who then started to bring our set to life and digitalize the sketch. Each item would be individually coloured and I directed her in which colours would be necessary for each part.  There are certain characteristics of the set which we particularly liked and wanted to stand out, such as the ‘Teddy Bear’, the ‘Bunting’ and the ‘Stag’s Head’. We wanted these items to become known characteristics of the shop which will allow our audience to familiarize themselves with the set.



Stage Three – Colouring Process Complete

Once the colouring for all of the objects was completed, we were able to look back at what needed to be changed or fixed.  At this stage, we are able to really get an idea of the feel of the set. Another important part to the set is the chute, which is visible on the right wall. This is how our objects would enter the set and how our characters would discover what objects had been left for them to discover within each episode.




Stage Four – Shading

Our colourist advised us to add shading to our set to help capture a more life-like feel.  The Initial colouring of each object and meticulous shading really enhances the design. The shading on the bookshelf allows us to see the separation between the back wall and the desk which our puppeteer would work from. By having the bookshelf directly behind the desk, our puppet is able to utilise the space without exposing below her torso.





Stage  Five –  The Final Changes

Once the shading was complete, We the decided to change the colour of the walls within the shop. We felt the Yellow was too bright for television and would also clash with our puppet who is yellow in colour.



Sunday, 13 April 2014

Production Concept: Logo Design

Stage Two

To match in with other relatable colours seen in the show, we decided to make the logo green and orange. The reasoning behind this is that they are the colour of Sid’s Uniform.

We wanted to incorporate some features from both of the characters and these seemed to be colours which stood out.

Looking at other shows, these colours hadn’t been used together for a number of years targeted at our audience.

Our colourist began to digitalize the sketches and colour each element individually. The evolution process for the logo can be seen here.

Once the background and lettering was coloured, the outline of ‘Sally’ was incorporated. We kept her to her original colours for the final version.


Colouring The Logo
Step 1 - Making the logo into a digital format


Stage Two - Outlining the text and Colouring the Background



Step Three - Re-Drawing the Puppet and Colouring the Text



Step Four - Layering the aspects and creating the final logo